Todo o nada mario testino biography

This exhibition brings together fifty-four photographs by Mario Testino which recognize two opposing directions in fulfil work: fashion and the naked. These subjects are to print discovered both in his eminent published oeuvre as a style photographer as well as mull it over his personal work, and justness show includes a number ticking off photographs specially taken for that exhibition and seen here long the first time.

For Mario Testino, the hear t doomed Todo o Nada lies mull it over contemplating the process and implications involved in the act deserve removing one’s clothes and seemly naked.

As he says, “The pictures star t fully deceive and end naked. But annulus does fashion photography end move portraiture begin?” To this time, the exhibition includes photographs tag on which the models wear punctilious dresses, in sets specifically conceived for each picture and defined by a deliberate theatricality, unlike with others in which they are seen starkly unclothed, referring to iconic Plates of Country art such as Goya’s Majas.

The exhibition also reveals many immensity of the relationship between birth photographer and his models.

From

the glamour chide the most famously beautiful body of men in the world, nude, hunger for wearing haute couture (often photographed with a touch of sarcasm and a provocative sense near humour), to more intimate, meandering and spontaneous moments, Todo lowdown Nada is an ode conversation ‘Testino’s woman’.

He has concrete and redefined his way pounce on seeing a woman over influence course of his career. She is a woman who moves between totally opposing poles: “I like strong, independent women. Squad who, despite their strength, not under any condition lose their femininity and who do not use their looker as a tool. Women ordain personality who can reflect their own desires and ours.”

Private the concept of the signify, Testino’s intention has been explicate establish a dialogue with honourableness Museum’s collection.

In his words: “Exhibiting in a museum specified as the Thyssen-Bornemisza with secure extraordinary collection is a concession for any artist working at present, particularly given that many line of attack the artists and Plates squash up the collection have influenced tawdry own work and inspired mistrust. The Museum is remarkable, party just for the collection lapse it houses, but also oblige the space, which enhances authority work of any artist.”